Hyphenation Matters: Heteronyms in a Manuscript

An example of word breaks in a popular design program. Sometimes right, sometimes wrong.

Hyphenation matters in a manuscript. Word processing and design software automatically insert end-of-line word breaks. Sometimes, though, the breaks are wrong, and writers must proofread for incorrect hyphenation in their manuscripts.

Heteronyms, words with the same spellings but different pronunciations and meanings, present a challenge when they break in different spots. The wrong break can result in ambiguity and amusing moments.

Present (Pre-sent/Pres-ent)

The bridal party wanted to play games before the shower presents. The verb form raises the question, what is the animated shower presenting?

Moped (Moped/Mo-ped)

Before the moose moped, a mouse meandered onto the dirt road. In the verb form, a mouse meanders onto the dirt road before the moose decides to feel sorry for itself. In the noun form, a mouse meanders in front of a moped designed for a moose.

If you meet this guy on a moped, run!

Crooked (Crooked/Crook-ed)

On the mountain road that crooked trees grew from the rocks. If the verb becomes an adjective, the mountain road no longer bends and the trees become gnarly and twisted.

Minute (Mi-nute/Min-ute)

Ralph rambled a rhythm at Minute Mic Night. If the break comes after the I, the microphone becomes tiny. If the break comes after the N, the performers have one minute to perform.

Resume (Re-sume/Re-su-me)

After writing resumes, Renee planned to write a riveting report. Renee is either a writer of resumes or she’s waiting for writing time to begin again.

Sake (Sake/Sa-ke)

For Sally’s sake, use fresh fruit such as pineapple. The break or lack of break tells whether Sally has a special recipe for sake or she dislikes or has allergies to other types of fruit.

Suffering From Writer’s Block? Take Out That Book on Writing You’ve Been Intending to Read

Like every writer, I have suffered from writer’s block. I have stared at the screen, willing words to come. I have grabbed a pen and a notebook, hoping a change of format might spark a new idea. I have switched projects in hopes of settling my mind. Yet when I return to the project, the words still don’t flow.

What story magic am I missing? Is the story simply not viable? Would the story be better in the Trash folder, never to be touched again?

Thankfully, I have found a writing road map in Save the Cat! Writes a Novel by Jessica Brody. This book breaks down the story into three acts, then further into the parts of each act.

In my most recent writing project, I put my main character through many ups and downs. Act 1 morphed into Act 2 through a wonderful catalyst. (I think it’s wonderful, anyway!) Act 2 brought even more action…and then my writing stalled. Something was missing, I knew deep down.

So I cracked open Save the Cat! and realized I simply forgot that after all this turmoil, my character needed time to breathe, time to think, time to make a decision, before she went from Act 1 to Act 2. She had to react to the events.

I read on and also realized I haven’t added any B Story characters to help my character find her way. Without a B Story character, the theme has been murky and difficult to write about and my character doesn’t quite seem believable. She can’t figure everything out on her own. She needs help—and I do too.

As a writer, I need to read books about the craft of writing. I have read several and grown as a writer each time. Some I like more than others. And some, such as Save the Cat!, occupy prime space on the top of my desk, ready to be thumbed through in an instant.